An Ode to Hermés

I’ve mentioned before that I totally dork out about high quality construction. I may or may not have binge watched all of the “Tailors Tips” videos posted by Vitale Barberis Canonico on YouTube. If you haven’t seen them you really should because they’re amazeballs. I also just took two classic Tailoring courses on Craftsy and, of course, there was my über exciting purchase of a vintage copy of Vogue Sewing at the end of the summer which I ate up.

Even though I am now barreling into year three of not purchasing clothes from retailers and I go on and on about how unethical the fashion industry can be, there is one company that I will always defend: Hermés. Now, to be fair, I honestly didn’t know THAT much about Hermés until a few years ago. I just kind of lumped it in with other “prestige” brands that people buy just because of the name. I was so wrong to do that. So, so, so wrong. As it turns out, there’s a reason why Hermés leather goods and scarves are so expensive. It’s because they’re made by hand.

Now I’m NOT a prestige brand person. I bought a Rioni handbag years ago that is basically a budget version of a Louis Vuitton speedy bag. I LOVE my bag and am more than happy to not drop thousands of dollars on something mass produced, which LV is despite their hefty cost. That, being said,the one thing I have coveted from Hermés despite the high price tag is one of their famous silk scarves.

Every one of Hermés’ silk products are created in France by one of 700 highly trained silk dye artisans. They are painstakingly screen dyed, cut, and finished all by hand. For someone like me who totally freaks out about quality construction, keeping artisan methods alive, and ethical working conditions, an Hermés scarf is basically an embodiment of everything I stand for when it comes to my views on fashion and I have been pining for one for years.
As it happens, I got some happy news today that means my dreams of owning one of these pieces of fabric art can finally come true! Even better, they have an amazing pattern out that I just adore. I love it because it shows the process of creating and Hermés scarf from start to finish with a few special stops on the way. The motif is called La Maison de Carrés


Isn’t it amazing?! It actually come in 7 colors but I think the black is the most stunning. 

Now, I have no doubt you are now reading this with this face

WTF?! You want to drop how much on that?

Here me out though. As artisans ourselves, we should support other artisans when and if we can, even when they are international companies. A piece like this can last you decades and is an heirloom. So, yes,  I’m all about supporting that. It’s slow fashion in its highest and best form. Think about it: Assuming it took 10 total hours of work to make each scarf, that’s $40 per hour. That is a very reasonable rate to charge for highly skilled work. The workers deserve that rate and the quality demands it. 

Now the question is, do I blow up my SWAP plans to make room for this potential addition to my closet? I’m thinking yes!

And now for something completely different

Though I’ve been sewing for a while now and count it as my favorite hobby, I have actually been crocheting for much, much longer. As in 30 years. It was the first hand craft I picked up and I’ve done it off and on over the years. I finally put it down in favor of sewing because I wanted to focus on garments. With a moderate wool allergy, making a closet full of glorious wool sweaters just wasn’t the best option no matter how much I loved the yarn.
That all said, I still love picking up my crochet hook every now and then for a small project. This brings me to this super great idea I’ve had for my French jacket project: A crochet braid trim! I really wanted something interesting for my jacket trim but I’m not super girly so a really soft trim wasn’t that appealing to me. I liked the idea of the five strand braid I was trying out before but then I saw the great leather trims on the jackets at the end of this Chanel “Beauty Guide” video:

That black trim is sooooooo cool! That got me thinking about doing something a bit less traditional on my jacket. I tried finding some trims online but I kept going back to that crocheted trim on the white jacket in the video. It really just looks like a simple treble crocheted band made with leather cord. Not wanting something quite that wide for mine, I started noodling about how I could use the yarn I bought to make the braid and create my own interesting crochet trim. That’s when I found this!

Skip to 9:15 for to see the magic. It’s basically just a bunch of rings connected by double crochet rows that are then intertwined. It gives a stunning effect but is dead simple. It has tons of texture and interest but could be quickly done up in no time and it’s something I can easily take with me on the train. By missing yarns, I can add even more depth and interest.

It might be time to dig up my old crochet hooks!

SWAP 2016 and other happier topics

It’s a drab Tuesday here in the Windy City. The kind of day that would be perfect for sewing. Too bad I have to go to work (though I admittedly enjoy my job).

This weekend was rough and I’m looking forward to thinking about things that bring me joy. Things like the annual Stitcher’s Guild SWAP! SWAP stands for “sewing with a purpose” and is basically an exercise in wardrobe planning. Usually I bow out of SWAP because the rules tend to skew towards neutral closets. Since my closet makes people’s eyes bleed because it’s so colorful, I usually can’t fit my style into the rules. Neutrals for me are any color that works across my whole closet so that ends up being things like golden yellows and royal blues rather than brown and greys.

My SWAP plan so far is basically a bright nautical theme. I already have most of the fabrics for the pants in my stash which is how I came up with the color scheme. 

My inspiration came from Pinterest. I was trying to find a good blazer photo under women’s fashion when I came across this pin:


YASSSSSSSSS! This is SO my style. The bright pant, the patterned top, the blazer. Love, love, love. So with this as inspiration, I went for a really great business casual plan. The rules for SWAP this year are: Three packs A and B (a three pack being a set of three garments that work together) with a signature color, one two pack that incorporates the signature color from three packs A and B, and a Wild card pack with three garments of your choice. The wild card pack garments don’t have to work with each other but they have to work with the other three packs.

My plan ended up being:

Three Pack A
Blue Blazer
Red Skinny Jean
Silver Top (probably not full sequined but this was the best I could find on polyvore)

Three Pack B
Red Blazer
White Skinny Jean
Black Top

Wildcard Pack
White Blazer
Black Leather Skinny Pant
White Top

A/B Pack
Black Blazer
Blue Skinny Jean

It’s bright, it’s fun and it’s perfect for work. It can be dressed up or dressed down and they all work together. Well, at least I think they work together. I had a stroke of luck when looking through my pattern stash, too. I was trying to find a good pattern for the top when I came across this pattern from Simplicity

Well would you look at that! The blazer and pant in this pattern are PERFECT! Clearly, I’ve had this idea rolling around in my head for a while. The red, white, and blue blazers will be done in this pattern. The black blazer will be my French jacket I’m working on. The pant in this is perfect so no change there. I’m not super into this top, though, so I went searching and came across this Burda top online


Score again! This is exactly what I was envisioning. Something flowy and simple with nice long lines. 

I think this is going to be a great collection. Now if I can only get it all done in time! Time is always a huge issue for me but I’m hoping that with some planning and some stack cutting I can get it all done.

When a City Isn’t Just a City Anymore

The spawn looking out on the Tour Eiffel

What can I say right now? What can I say that hasn’t already been said or that doesn’t sound like some kind of sappy, trite, kumbayah crap from a privileged American? What can I say that won’t come off as a Hallmark card response? All I can say is the truth or my truth, rather.

I am a traveler. My husband and I were bit by the travel bug on our honeymoon when we basically said “F*** it all” and picked Egypt as our honeymoon location. Our families had one giant collective heart attack. At 21 and 24, we had never left the country on our own and even the very few times we had, it was with family or through school. But we thought this was our one chance to see something amazing so we went for it and it was, in fact, amazing. Going to Egypt opened our eyes to the fact that there is so much in this world to see and experience and appreciate. It made both of us realize that what we are presented with here in the states through media is usually nothing like reality. It’s like looking at another planet through a telescope. We can see it but only in the faintest of detail. Traveling there is the only way to understand it.

Giza Plateau, 2000

So what does this have to do with Paris? Paris was our second international trip after our honeymoon. We spent a week there in 2002. We did all the touristy things and had a wonderful, albeit very American, experience. We went again seven years later with the spawn. We visited a few places we had loved the first time and found a few new ones. Still a very American experience but a little different this time. My husband and the spawn went there on their daddy/daughter trip in 2012. Then, later that year, my husband worked a major project with his company (which is a French company headquartered in Paris) and he ended up spending around three months there.

The husband and I in Paris in 2002

While he was there, something about Paris changed for both of us. It wasn’t the Paris we thought we knew anymore. It became something else. When went back again in 2014, he took us to a few of his favorite restaurants. We walked around in some of the neighborhoods he loved. He pointed out shops he would go to…places I NEVER would have found on my own. During that trip, we got stuck due to the polar vortex and ended up spending an extra 3 days. My husband was able to go to work at his company’s office so that left me and the spawn a few days to explore. This made it almost like two trips: a family trip and a trip with just me and spawn. By this point, we had done all the tourist spots several times over and were forced to basically walk the streets looking for something new to do. We passed by schools and office buildings. We kind of became aware of the fact that the buildings we were walking past were homes. Eventually, the iconic symbols of the city weren’t nearly as interesting as the everyday parts of the city. And, again, Paris changed even more.

The husband and the spawn in Paris in 2012

These days, Paris isn’t just Paris to me. It’s not a place on a map or a meme or a photo or a setting for a romantic movie. It’s a part of me. It’s a part of my husband. It has significance in my life. The tourist spots have faded away and now my memories are of getting a giant cotton candy at a carnival near Les Halles. Taking a moment to stop in for chocolates at Maison Georges Larnicol or honey at Fauchon. It’s of walking along the Seine with my daughter and being proud of ourselves when we found our way through the winding streets back to our hotel. It’s of dragging her to Rue Cambon to oogle Chanel and finding myself able to read the French menus without having to really think about it. Paris isn’t just Paris to me, now. Paris is…Paris.

The spawn and I in Paris in 2009

Friday was an assault on my heart. It was as if someone had attacked someone I knew. Someone dear to me. As the day went on and things got worse, I found myself wrought with sadness, disbelief and anger. How could they do this to my Paris? How could they hurt her like this? As I write, tears well up in my eyes. Not my Paris. NOT my Paris. Maybe this is the blubbering of a privileged American. Maybe I’m grief appropriating. Maybe I’m overreacting…

I only dragged the spawn to 31 Rue Cambon three times on our trip in 2014

In my heart, though, I grieve. I cry with my Paris. I am angry with my Paris. And, with my Paris, I will rise up and say “F*** off” to the scum who did this. And I will go back to my Paris in a month and I will walk her winding, cobbled streets and I will eat her glorious food and I will soak in every ounce of life she gives me. I will return next summer along with thousands of other soccer fans for the EuroCup and I will soak it all in again. And I will do it because Paris is Paris now and I will fight for her with every fiber of my being.

Zombies and Buttonholes

Zombie Love

Love is in the air here at Cured Couture Atelier. Apparently, the spawn’s crush has a birthday this coming week and she has been trying to think of what to get him. Loot crate? Video game? Collectible action figure? Gift card? The options seemed endless to show her undying puppy love.

I had to make a pit stop at Joann’s on Saturday night to pick up some thread for my French Jacket project ( which really needs a name) and dragged the spawn along mostly against her will. She generally hates going to look at fabric with me because I have a tendency to look at ALL.THE.FABRIC. She begrudgingly agreed to go as long as we could look at fabrics for her “Spring Fling” dress. The Spring Fling is basically the 6th grade prom soooo, yeah. I have THAT coming down the pike. 

Anyway, while wandering the aisles looking at frou frou fabrics, we found ourselves over in the licensed fleece aisle. Low and behold, there in the character cottons was a Walking Dead themed broadcloth with Michonne in various states of zombie attack. Near by was a blood red plush and an idea was born.

I mean, really. What better way to say I love you than with maiming zombies?! To be fair, we are a Walking Dead household and we all watch it every week (including spawn). She has a really high tolerance for gross/scary. I remember showing her Poltergeist last year which scared the bejeezus out of me when I was her age. She wasn’t even phased! I was too busy covering my eyes during the stairwell scene to give her a retort. So, she’ll be making her one true love a zombie blanket. Awwww. So precious.

Buttonhole Nerdery

As I mentioned, I had to go to Joann’s on Saturday to pick up a few things for my French Jacket namely some basting thread and some pearl cotton. Silk twist isn’t exactly all over the shelves around here so I had done some online digging and found out that some people used pearl cotton as their button twist thread. My jacket is black so I knew I could find that at the store and  give it a go. Thankfully, I spent hours and hours and hours and hours fiddling with embroidery when I was growing up and all of those cute Peter Rabbit embroidery projects are finally serving me well.

Handsewn buttonholes really amount to a very closely done daisy chain stitch. You stick your needle through the fabric, wrap the thread around the needle and then pull the needle through which draws the loop tight. The result is a satin stitch with a small ridge along one edge. It’s tough to see in this picture but it’s there. 


One tip that I learned from watching a few bespoke tailoring videos on YouTube is to pad the stitched with another piece of thread. It keeps the stitches from getting buried in the boucle and gives the stitches more definition. If you look closely you can see that my bottom stitches are a bit easier to see than my top ones. That’s because the bottom row is padded. It’s a subtle difference but I think I’ll be preparing all of my buttonholes this way.

Wrap of Khan Maiden Voyage

In fun news, I took Wrap of Khan on its maiden voyage today and it’s proving to be an amazeballs coat. We have 40-50 mph winds racing through Chicago right now and it blocked everything. The Kirk collar was the perfect cover for my ears. The ship will definitely be out of danger this year!


Sew Much Nerdery!!!!

These are high times to be a nerd. HIGH TIMES!!!!! I am still reeling from the newly released international trailer for Star Wars: The Force Awakens. My heart soared when they announced this week that there is going to be a new Star Trek series. And the posters for the new Fantastic Beasts movie look amazing!!!! SO MUCH NERDERY!!!! I can’t even right now you guys! Every time I watch one of the Star Wars trailers I have to fight back the tears of sheer joy. I know not everyone loves JJ Abrams (especially the Star Trek fans) but I really love what he did with the last two Star Trek movies and some of the shots in these Star Wars trailers are just to die for. December can’t come soon enough!! I mean…just look at this!!!

What else am I nerding out on? Why my newly delivered black boucle fabric that is destined for sewing room glory as a couture French jacket, of course! I cannot wait to get started on this. I’ve been wanting to make this jacket since I saw the Little Black Jacket video on YouTube. Anyone else remember drooling all over this gem when it came out?

I picked up this perfect black boucle fabric from Gorgeous Fabrics and I am in love with it! It’s lightweight but really textured. When I saw it my heart grew three sizes because it’s exactly what I’ve been looking for.


After I bought it, I ran over to the local fabric store to look for some yarns to make my braided trim with. I’m still testing out ideas but I found a few fun novelty yarns in addition to a lovely alpaca boucle. Thanks to some YouTube videos on how to make challah bread, I learned how to make a 5 strand braid. I really liked what I initially came up with though I think it could be just a tad wider.


As it happens, I have some silk twill fabric that i got in Paris three years ago that will be perfect for a lining fabric. I had picked it up intending to make a blouse out of it but never really got around to making it. I’m glad I held onto it because this will be a very fitting use for my French fabric find.


It’s been a long week and I am exhausted. I work for an international charity and September to December is our busiest time. Then there is taking care of the house and all of the spawn’s school events and working around the husband’s extensive travel schedule…It’s taking a lot out of me but it’s nice to know I have so many beautiful fabrics to come home to at night and snuggle up with.

Time Traveler’s Tale: Vintage Nurse’s Cape

In the midst of all the Wrap of Khan excitement, I did find the time to whip up this really fun vintage style nurse’s cape for a woman here in my village (yes, I live in a village) who was dressing up as a WWII era nurse. She had a very specific idea of what she wanted: a navy blue wool cape with a standing collar, a bright red lining, and at a length that hit just below her hip line.


Being that she was on a bit of a tight budget, we had to get creative. I was contemplating making it out of a heavy fleece to keep her in her budget but I just wasnt happy with the fabric choices. Good quality wool coating was out of her price range though so it was a conundrum. That is until someone on Stitcher’s Guild had the AMAZING idea of repurposing a military blanket instead of buying yardage. Best idea ever! I was able to score a large, very thick, 70% wool military blanket for $25. At 60X80, it had more than enough yardage to bust out a cape.

The only problem I ran into with this project was finding a pattern on sale! Turns out vintage style cape patterns aren’t exactly easy to find. My best bet was the Frozen inspired patterns by McCalls but I goofed and totally missed the McCall pattern sale at Hancocks by 1 day. In the end, I drafted my own pattern by laying a fleece pull over onto some tracing paper and marking the neckline and shoulder line and then dragging a line diagonally to meet up with the horizontal line I marked for the length of the cape.

I prepared the wool by following the “Steam the Heck Out of It” method detailed on Diary of a Sewing Fanatic’s blog post “Prepping Wool Crepe.” It worked out great and softened up the stiffish wool that had clearly been treated with SOMETHING. I dont know what it was but it smelled like gasoline. 😐  Once I had the wool prepped, I was ready to cut the cape. Thankfully capes are pretty straight forward so it was just a matter of cutting the back, front and a large rectangle for the collar and four rectangles for the closures. I repeated the process with the lining fabric.

I adjusted the shoulder line somewhat as I sewed because it came out way too rounded initially but all in all I think it ended up turning out great! I kept the collar soft by interfacing it with a scrap piece of wool instead of interfacing and I lined the collar with satin rather than another piece of wool to keep it from being itchy on the neck. The addition of gold metal buttons was a nice touch and the 70% wool kept my client warm all night long at her Halloween party!

Wrap of Khan: The Final Battle


If I may be so bold, it was a mistake for you to accept promotion. Commanding a starship is your first, best destiny; anything else is a waste of material. – Spock, Wrath of Khan


If ever there was a project I was simultaneously proud of and so glad to have over, it’s this coat lol. It wasn’t THAT hard to put together just very time consuming and, yet, it’s one of those projects I couldn’t stop thinking about. You know you’re dedicated to your craft when you wake up at 3 am determined to find out the best way to add in a zipper to a pattern that doesn’t already have one. But, what can I say. All in all, I am in love with this coat and I put a lot of work and love and maybe even a few curse words into it. I tend to be very self deprecating about my sewing and extremely self critical. I often look at projects and can only see my mistakes. This time around, though, I am happy to focus on how I got it right from conception to finish.

I’ve already posted some about the infamous collar. In the end, I HATED the first collar I sewed up. It just never worked right and I had trouble getting it to lay the way I wanted it to. In round 2, I backed the cream suede with a scrap of satin that I had in my stash rather than a piece of thinsulate, stuffed it, and then sewed it to the undercollar. It still didn’t come out 100% perfect and there is a lot of ease in the undercollar but I couldn’t get the it to behave with the padded upper collar without getting it way off grain. Once I got it in, though, it did it’s magic and looked totally badass…just like the original.

“Dammit, Jim. I’m a doctor not a tailor. Oh, wait. No. I actually am a tailor and not a doctor.”

During the process of permanently sewing on the collar, I took the first step in adding the lining by sewing the top facing to the collar line just as you would with a traditional coat. The lining really turned out amazing. This was my first time lining a jacket of any kind so I watched quite a few videos on how to sew the sleeve seams internally and then pull them through. I still think I got it wrong in terms of lining length vs. sleeve length as the lining likes to peek out a little at times but it’s nothing a little internal tacking can’t fix. I LOVE the color of it though. It’s been very much a love/hate thing with people who have seen it. Once I explain that I chose it to represent the Mutara Nebula at the end of the movie they understand the choice but it is still a bold color. Good thing for me I love purple so it really gives me a lot of joy to open up the front and see that flash of color.

“You can’t go there!!!”

Outside of the collar, the one thing on this that I was adamant about changing was converting the pattern from a button down to a zipper. Here in Chicago, button down coats in the winter just don’t cut it. When it gets brutally cold, the zipper closures really help to keep the wind out. While converting the coat from a peacoat style closure to a more standard center front closure took away some of the lovely features of the collar (especially how it was designed to lay open) it was really a necessity.

To add the zipper, I put my coat shell on my dress form and marked on each side where the center front was and where I wanted the flap to end. I ended up chopping off about 3 inches from both flaps. Once those seams were done, I laid the coat flat and marked where the top flap overlapped the front of the coat. This gave me a guide line for zipper placement.

To create the zipper flaps, I purchased a separating zipper and sewed scraps of the faux suede outer fabric to each side depending on which part of the coat it was attaching to so that it would blend right in. I first laid down the zipper tape that would be attached to the outer fabric (the burgundy side of the coat). Pinning that in place, I attached the other size of the zipper and tacked that down with a pin to give me a measurement for where to place the tape on the other side. Each tape was then sewn onto the corresponding coat side by first sewing it with the teeth away from center front and then folding the tape back on itself and topstitching down into its final position. This allowed me to give it a really strong finish that will last a long time.

Once the zipper was added, I could close up the coat. As I mentioned before, this was my first time really lining a coat so sewing up the sleeves was a bit scary. It was also a bit cumbersome with all those layers. I did a lot of praying to the sewing gods before sinking my needle in this seam.

The problem that I ran into here was that I was so terrified I would mess up the lining that I cut it really conservatively. It ended up being a bit TOO conservative so I really have too much length in the sleeve lining right now. Tacking it up on the inside will likely fix the issue but I may go back and try to resew it. Or I could just leave it which is what a sane person would do. Honestly, I was just happy it turned out and didn’t look like something that had gotten lost during a transporter accident like those people in Star Trek I.

The only thing left after sewing the sleeves was turning up the hem and closing up the lining. Rather than doing a simple turn up, I turned up the bottom of the coat like you would a traditional jacket where you sew the hem behind the facings and then go back and attach the lining to the top of the hem. I turned up the burgundy suede about two inches, trimmed the thinsulate to meet the turn so that it didn’t fold on itself, and then attached the lining to the hem. I have developed a mean blind stitch so I find hemming to be quite relaxing these days. I can get it done quickly and it’s nice to sit and sew while watching old episodes of Star Trek on my sewing room computer.

The last task was to add the snaps. Those took A LIFETIME. UGGGGGGH. I never want to sew snaps on again! In retrospect, I really should have attached them before I closed up the lining and top stitched but LESSON LEARNED! I spent hours sewing on those square snaps. That being said, I love them as a design element especially on the collar. It had really bothered me that I couldn’t work in the front flap turn toggle from the crew uniforms as I had hoped. I was so afraid I would bash myself in the mouth with it at some point if I had a metal closure hanging off the collar edge. These were a great compromise and having them be square instead of round gave them a more modern edge.

In fittings I was just so unsure of the look of the coat. It just didn’t feel…right. It wasn’t until I got the snaps in and everything top stitched down that I felt I had gotten it right. That final try on was so rewarding. To look in the mirror and see that I had taken an idea and made it happen in such glorious nerd fashion (pun intended) just really made me feel so much more confident in how far I have come as a seamstress. Is it fine Italian bespoke tailoring? No. Is it an amazing piece that I am super proud of? You bet and you can also be sure that there aren’t any others like it right now.

Wrap of Khan Update: The update you never knew you needed!

“This isn’t reality.This is fantasy…Now get in the closet”

~ Lt. Uhura, Star Trek III

Wrap of Khan update time! I have finally had a chance to get some serious work done on this monster of a coat.

It’s coming along quite nicely now. The fabric I chose is generally pretty easy to work with but I’m reaching a point where I’m going to have to noodle how to handle some of the seams. Thanks to the fine ladies of the Stitcher’s Guild who convinced me me not to put in the super fluffy liner I had originally chosen because it’s pretty toasty and bulky as is.

My first order of business was cutting. That took what felt like a million hours because I had to cut everything out 3 times and I had to draft a few pattern pieces that didn’t exist because I converted the coat to a fully lined one instead of an unlined

After cutting out all the pieces, I had to prepare the “Kirk” collar. The collar of my inspiration jacket has this really cool stuffed casing look.

It took me quite a few tries to get it right though. I started with the contrast collar piece and the thinsulate core. First I had to find my midpoint and lay out all of my sewing lines. Each casing is 3/4 of an inch so I cut a 3/4 wide strip of painters tape to use as my guide. This made things so much easier than what I had started out doing which was chalking them in.

Once it was sewn, it looked disappointingly flat. I tried adding an extra layer of thinsulate in a spot to see if that would poof it out some but it didn’t.

I had a bit of an aha moment after watching some quilting videos and realized that I just needed to stuff it with poly-fill ala trapunco quilting. The first time around, I used an artists brush to put the stuffing in and ended up stuffing it way too tight because the brush just compressed everything.

I ended up unstuffing the whole thing and restuffing using half the amount of stuffing and placing the stuffing into the casing using my serger tweezers.

Onto the body! the body of the coat went together quickly. I laid the two front pieces on top of each other when lining up the pockets to make sure they matched. I kept having to remind myself that the jacket doesn’t have a traditional shoulder seam but rather has the seam at the collarbone. That gave me a heart attack more than once when trying to check my sewing.

I created a full lining for the jacket using the pattern pieces as a base. I chose this beautiful royal purple fabric as it reminds me of the color of the nebula in the famous Mutara Nebula battle scene (the final battle between Kirk and Khan)

Throughout the coat, I’ve been adding top stitching. It’s a nice touch but it also REALLY helps keep the seams flat with this stiff-ish material

Now I’m down to putting the collar together and *gasp* bagging the lining. The thinsulate does seem to compress really well at the seams so I may be able to simply sew them and grade the seams as some of you have suggested. I’ll do a test tonight. So far, though, it’s really coming together!

The Wrap of Khan: Going where no winter coat has gone before

As much as I love Lord of the Rings, if someone were to ask me what my favorite movie franchise was I’d have to say Star Trek. Hands down, I am a much bigger Trek fan than anything else. That’s right. I’m a full blown Trekkie. Though I LOVE what JJ Abrams has done with the new movies, the classics will always hold a special place in my heart. My favorite of all the movies is Star Trek II: Wrath of Khan. It’s 2 hours of William Shatner and Ricardo Montalban duking it out for best over-actor. You just can’t get any better than Khan’s final molologue to Kirk. “With my last breath, I spit at thee!” The drama!!
All that said, even though I love Star Trek and I love cosplay, I’ve never been super interested in cosplaying Star Trek. None of the costumes really appeal to me with one exception: The field coat worn by Kirk, Bones and Saavik when they go to the Genesis Stage II cave. The original is really busy with lots of pockets but it has the most amazing collar. You can see Kirk wearing it here in the poster I bought at Comic Con this year.

It’s basically a standard collar that has been extended by several inches. When it’s down, it is the span of the shoulders. Popped up, it looks totally badass.


After buying the poster I kept thinking about how much I love the collar on that coat. It zips up all the way and you can conceivably cover your face and ears with it. The colors are great too. I am all about that rich burgundy with the ivory contrast. It’s just a great coat.
So why all this talk of Star Trek? I was recently perusing patterns online looking for a winter coat pattern when I came across V9136 on the Vogue site.



When I saw it, I immediately thought “It’s the Star Trek coat!!” An idea was born. I would make the Star Trek coat that I loved so much but do a high fashion homage to it rather than an exact replica. The outer fabric and collar will be made with beautiful home dec suedes that can hold up to the significant Chicago winter. It will be interlined with thinsulate and lined with an ivory minky while the sleeves will be lined with a poly china silk for ease of getting on and off.
Though suede can be a fussy fabric, this home dec suede from Joanns has proved nearly indestructible in the testing I’ve put it through. Doused with water, covered in salt, rubbed with jelly, I put it through the ringer. After every wash, it came right back. With a little Scotchguard, it will be even better.
This will be my most difficult project to date. Specialty fabrics, a likely difficult construction, and the need for a special walking foot, it’s going to be a BEAST. BUT once I get it done, it will last for years and years and I will absolutely wear it with nerd pride.